#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------#
#



Run Like an Antelope vb loop available
From Tim Fallon 
Expanded upon greatly (tabs) by Emil Hedaya ( skjut@usa.net )
Help from Mike Kelly

Introduction:

These are the chord shapes -- listen to a recording for
timing and strumming information.  

                        D     D    A    D
       H-O   H-O    
E------------------------------------
B-------------------10---7---5-------
G---------------7---7----7---6---7---
D----------7-9------7----7---7---7---
A-----7-9------------------------9---
E--10--------------------------------

Repeat as necessary for intro.

Then

A  D  (x4)     Then repeat Introductory sequence...

Back to A  D, until this part (again, listen to a recording
for timing information and when it comes:

E-----------------------
B--10--9--10--9--10--9--
G---7--7---7--7---7--7--
D---7--7---7--7---7--7--
A-----------------------
E----------------------- then noodle on D...

E------------------------
B--10--9--10--11--10--9--
G---7--7---7--12---7--7--
D---7--7---7--13---7--7--
A------------------------
E------------------------


Repeat twice...

Then back to the main lick, then A > D, the last time ending with
a D chord on the second fret (basic D chord).  

Then comes the distortion, and the progression changes to a 
D C D C G > F one (See below)... listen to the recording for timing.
This is the solo Trey does on Lawn Boy.. every time I think he
noodles around with it a little.  

    ~~~~~  ~~~~~   ~~
E---------------------------5-4-3-----------------------
B------------------------(3)------3---3-5-3-5^(7)-------
G----------------------(2)----------4-------------------
D-------------------------------------------------------
A---5------3-------5------------------------------------
E-------------------------------------------------------

              Palm muting...
E-------------------------------------------------------
B--5^(7)-5-3-------------------------------5^(7)-5-3----
G-------------2-2-2-2-2-2-2-2-2-2-2---------------------
D-----------------------------------4-------------------
A-------------------------------------------------------
E-------------------------------------------------------


E----------------5^(7)----------------------------------
B-----------------------------------5^(7)-5-3-----------
G--2-2-2-2-2-2-2-------2-2-2-2-...2------------2--------
D-------------------------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------


E--------------------------5^(7)----5^(7)-5-2-----------
B---------3-5-5-5-3---3-----------------------5-3--3----
G----2-4------------4----------------------------4------
D--4----------------------------------------------------
A-------------------------------------------------------
E-------------------------------------------------------


E---------------
B-15^(17)-15----
G------------14-
D---------------
A---------------
E---------------




Then:  
  Rake            Fast!!! ....................
E---15---15--------15--14--13--12--7--6--5--4--3---0------
B--13-------13---15--14--13--12--7--6--5--4--3--2--0------
G-14-----------------------------------------------0------
D--------------------------------------------------2------
A--------------------------------------------------2------
E--------------------------------------------------0------



..Into the JAM!!

Em > D

Here's a little lick that Trey did at Shoreline in 1995 at the start:
(Thanks to Mike Flouton)
E-------------------------------------------------------
B-12h13-11h12------10-----------------------------------
G-------------9h11----12-11-10-9-8-7-----7-9------------
D------------------------------------8h9-----9p8p7------
A--------------------------------------------------9p8p7
E-------------------------------------------------------

After the Climax of the jam, it cools down but maintains the same
Em > D progression.  Trey might noodle over it a little, then goes 
into the words :  

  Rai rai Rocko (?)

  Marco Esquandolas (?)

  Been you to have any spice/spike mon?  (?)

A heavy C chord makes for the transition to the next part:

D  C   D   C       G > F (loud!)

I like to play the G > F chords as such:

      G     F
E--------------
B-----8-----6--
G-----7-----5--
D-----9-----7--
A----10-----8--
E--------------

Though I'm sure most people will stick with the barre chord shapes.

For this part, I can't decide which one sounds better / works better - the
C chord or the Am or the Am7 chord.  They're all very closely related, Am
being the sixth of C.  Play it however you like, I suppose

           D                    /           Am7
 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run

           D                    /           Am7
 Run Run Run Run Run Run Run Run/Run Run Run Run Run Run Run Run
 
(with "Run run run" chant over)

 "Set the gearshift for the high gear of your soul . . . 
  you've got to run like an antelope . . . out of control..."

Eventually they slow this chord progression down, ending on the D chord.

Trey will sometimes bend the fifth fret on the B string up a whole step
and hold it while the band does their grand finale, and he sometimes does his
"Thanks a lot, we'll be back in fifteen minutes" routine (yeah, right).
E---------
B--5^(7)--
G---------
D---------
A---------
E---------